What’s worse is how each villain’s story contains the bones of a pretty-darn-good Spider-Man story. Harry, whose relationship with Mary Jane and Peter has opportunities for real pathos, really should have stuck around to be sorted out in a less overstuffed movie.Įach villain is disposed of as flippantly as they are tossed into the script, with little room for explanation (Sandman, whose motivation is the most humane, simply disintegrates with no indication as to what happens next). Notoriously, Venom was included against director Sam Raimi’s wishes, and Topher Grace was probably not the best choice either way. Sandman has an amazing transformation sequence, but really just shows up to grunt and smash things after that (do not get me started on connecting him to Uncle Ben’s death). Other comic book adaptations have employed more than three villains to great effect – Spider-Man 3 simply misuses its antagonists at almost every turn. This is historically referred to as the “too many villains” problem, but the problematic upper layer disguises deeper ones beneath. Spider-Man 3 is a classic example of too many cooks spoiling the broth. That the film is known as such a legendary misstep can obscure the lessons it has for the superhero movies of today, but cannot hide the disappointing experience of watching it. Ultimately, absent the wonder of the first or the depth of the second, Spider-Man 3 has very little to hang its hat on to characterize it beyond its failures. This sequence at the end of Spider-Man 3 easily encapsulates the film’s messy editing, silly plot, and troubled production, but it sells short the buried remnants of worthy filmmaking. Three separate endings, three different emotions. Meanwhile, Harry lies dying, having redeemed himself by saving Spidey and Mary Jane. Later, Sandman explains what happened to Uncle Ben, and Peter forgives him. With the creature in distress, he heroically rescues Eddie Brock and tosses one of the Goblin’s pumpkin bombs at it Brock doesn’t want to lose his power, and he blows up with the symbiote. Fighting Venom in 2007’s Spider-Man 3, Peter Parker remembers how the symbiote was affected by the sound of church bells, and assembles a cage of metal pipes.
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